Machine Gun Kelly Tells The Surreal Story Of Getting Lil Wayne On His Album Right Before It Was Due

“He was super down. He was like, ‘Yeah, I’m gonna pull up.’ This is around 8 o’clock. He pulls up around 1 a.m. The sprinter’s there and there’s all these security cameras. We’re like, ‘Dude, that’s Lil Wayne’s sprinter, this is crazy.’ We wait about an hour. The sprinter door opens, we’re like, ‘Oh my god, the door’s opening.’ He walks out, he comes in. He says ‘what’s up’ to everybody, I play the song, he’s like, ‘This is what we’re doing?’ I was like, ‘Yup.’

Then, he’s like, ‘You guys got time?’ We’re like, ‘All the time you need.’ He goes in this courtyard, walks around. He walks on the courtyard for like five… comes back in at like 6 in the morning. He’s like, ‘I didn’t make you wait too long, did I?’ We were all like, ‘No, man, no. What? No.” And he goes in the booth, does it in like one take. We freak out. I get in the car, I go wake Megan [Fox] up. I’m like, ‘Oh my god, Lil Wayne just got on the album.'”

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“And then the album has to be turned in. We have this song called ‘Ay!.’ We’re like, ‘It just sounds like Lil Wayne should be on this one, too. Should we try?’ We call and they’re like, ‘Yeah, he’s gonna skate ’til 7 a.m. but like…’ And we’re like, ‘But the album needs to be turned in at 9:30.’ And they’re like, ‘Oh yeah, he got it.’

I set my alarm for 8:30. I woke up and I’m like, ‘Dude, Lil Wayne didn’t cut a song at 8 in the morning.’ Dude, the verse was there. He did a song at 8 in the morning.”

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