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<blockquote data-quote="Deleted Member 44" data-source="post: 34574" data-attributes="member: 44"><h3>Characteristic of the second quadra</h3>The second quadra (as well as the fourth) is made up of &quot;logic-sensorics&quot; and &quot;ethics-intuitives&quot; .Dominant aspects in the second quadra: &quot;black&quot; sensorics, &quot;white&quot; intuition, &quot;black&quot; ethics, &quot;white&quot; logic.(“Black” ethics and “white” logic also dominate in the first quadra, and this “commonality” significantly brings representatives of the first and second quadras closer together.)Intuitive ethics are represented by a rational extravert - an ethical-intuitive extravert (Hamlet) and an irrational ethical introvert (Sergey Yesenin).irrational extravert - sensory-logical extravert (Zhukov).<a href="http://3.bp.blogspot.com/_HxWgNarSVOU/R_LeeGlKYVI/AAAAAAAAAEU/HZkr8qFUsCE/s1600-h/Kvadra2.gif" target="_blank"><img src="http://3.bp.blogspot.com/_HxWgNarSVOU/R_LeeGlKYVI/AAAAAAAAAEU/HZkr8qFUsCE/s200/Kvadra2.gif" alt="" class="fr-fic fr-dii fr-draggable fr-fil" style="" /></a>Maxim completes Hamlet and forms a rational dual pair with him.Zhukov complements Yesenin and makes an irrational dual pair with him.What is this combination of aspects? What values characterize the second quadra?As the reader has probably already noticed, some of the dominant aspects have moved from the first quadra to the second. Does this mean that at the same time the values corresponding to them moved into the second quadra?The nature of quadra values and the nature of the aspects corresponding to them are already somewhat different here. And it's not just that the dominant aspects here, having moved from the first quadra, changed their signs (pluses - minuses) to the opposite ones. The reason is that the first quadra aspects in the second quadra acquired a different meaning, filled with a different meaning, a different content. Combining with aspects that in the first quadra were displaced by &quot;black&quot; sensory and &quot;white&quot; intuition, they modified their character in such a way as to coexist harmoniously and without conflict with these aspects. In this regard, we can say that if the first and third quadras are two opposite poles, then the second and fourth quadras are the links connecting them, which themselves are at opposite poles relative to each other.Thus, one can trace the relationship between quadras, the succession of one quadra to another, and the completion of a quadra cycle, which is always characterized by a qualitative social leap - the transition of the fourth quadra to the first at a higher social level.So, how do the aspects of the first quadra change during the transition to the second? How and why is this happening?- Wait, wait! the Reader will say. - Aren't we distracted from our main task? We were still going to look for a partner, but instead we again wandered into some kind of theoretical jungle? ...Don't worry, Reader. It is these &quot;theoretical jungles&quot; that will help us figure out why a person who, it would seem, is so good and has so much in common with us, still somehow fundamentally does not suit us and has some significant difference, sometimes turning into an irreconcilable contradiction with us. It is this difference, turning into a contradiction, that we are now investigating.In order to understand how and why the rational aspects changed in the second quadra, which passed into it from the first, we will begin the analysis of the values of the second quadra from irrational aspects, namely from the aspect of &quot;volitional sensory&quot; with a minus sign (-ES) - the program aspect of the extrovert-realizer the second quadra - sensory-logical extrovert, Marshal Zhukov. The minus sign, as we already know, indicates the negative direction of this aspect. In this case, this is expressed in the desire to prevent weakness, and as a result of this, in the desire to increase one's power potential . It is also expressed in contempt for weakness , in the ability to show perseverance in the fight against hardships and with an enemy superior in strength, in the ability to resist greater strength and thereby win one's right to respect and authority.In the second quadra, it is a shame to be weak (!) The weak are humiliated because they are pathetic. Through humiliation, he is given to understand that in this social community there is no place for the weak. The second quadra is a community of chosen, strong people.The idea of &quot;chosenness&quot; and a kind of &quot;exclusivity&quot; on formal grounds - origin, race, diplomas, diplomas, distinctions (personal merits &quot;to the people&quot;, &quot;party&quot;, &quot;fuhrer&quot;, etc., etc. ) - always accompanies the second quadra and indicates that its representatives are not simple people and are essentially undemocratic. It is no coincidence that this quadra is called the &quot;quadra of aristocrats&quot;. Prestige and personal authority are important for any of its representatives. Respect for rank, respect for seniority - here are unconditional and unconditional concepts.The direction of the aspect of &quot;volitional sensory&quot; in the direction of minimizing weakness (reducing weakness to a minimum) also gives the corresponding &quot;wrong side&quot; - the corresponding &quot;. The fear of admitting one's own weakness is exactly what any of the representatives of the second quadra is afraid of, regardless of sociotype. Fear of being the one who is humiliated , &quot;trampled&quot;, &quot;used&quot;, &quot;who is being held for a fraer&quot;, who is pushed around and who is &quot;carried with water&quot;.Such a development of the &quot;volitional sensory&quot; aspect informs the second quadra of a constant state of tension, a state of constant extremeness of the situation.In the second quadra one does not relax - in the sense that relaxation here is an unnatural form of existence. Even the most seemingly relaxed representative of the second quadra Yesenin creates only the appearance of relaxation: relaxing others, he does not relax himself - he always feels danger and will do everything to take it away from himself. He perfectly knows how to lull someone else's vigilance, but he will not allow anyone to &quot;lull&quot; himself. Therefore, under any dictatorship, no matter how cruel it may be, a representative of this personality type will definitely find a cozy and safe niche for himself, since he, as well as other sociotypes of the second quadra, is endowed with all the necessary qualities and means in order not only to survive under the conditions of a totalitarian regime, but also feel good at the same time, and even be able to realize oneself creatively in it.In the second quadra, you cannot be a simpleton, you cannot yawn - you gape, you will be &quot;gobbled up.&quot; Here it is necessary to &quot;keep your eyes open&quot;. Here there is a constant struggle for survival, a constant selection of the strongest and the most chosen - otherwise, what makes up the hierarchy of the social structure inherent in the second quadra? It is enough for several of its representatives to gather in one collective for them to immediately organize a kind of hierarchical grouping, formal or informal - it does not matter. The main thing is that the alignment of forces in this hierarchy will be carried out in accordance with the attitudes and values of the second quadra.The need to &quot;be on the alert&quot; all the time, in turn, is reflected in the nature of the second irrational aspect - intuition .. In the second quadra it is &quot;white intuition&quot; - &quot;intuition of time&quot; with a minus sign (-BI). (This aspect is programmatic in Zhukov's dual, Sergei Yesenin 's intuitive-ethical introvert .) What character does it take on here?Representatives of the second quadra are better than anyone else aware of the &quot;importance of the current moment.&quot; Moreover, they are concerned not to miss out on any benefits or advantages associated with this moment. Do not allow yourself to be &quot;sit out&quot;, do not allow yourself to be &quot;outplayed&quot;, do not allow yourself to be &quot;circled around your finger&quot; - hence the readiness for impending danger, and the desire not toallow, prevent, divert from oneself, and, if necessary, transfer to someone else's head. (Hence, the accompanying intrigues, deceit, gossip, slander and slander - all this is permissible where there is a constant confrontation of interests, socio-political &quot;selection&quot; and the struggle for survival at any cost.)The ability to quietly sit out troubled times and patiently wait them out, remembering the &quot;good past&quot; and dreaming &quot;of a bright future.&quot; This is also the desire to prevent mistakes or miscalculations made by someone, which could at some point be fatal (-BI).In the second quadra, they believe in fate, they believe in a higher destiny. (These concepts in no way contradict the idea of supreme chosenness, on the contrary, they complement it and accompany it (&quot;We were born to make a fairy tale come true ...&quot;), give it even greater enthusiasm and inspiration.In the second quadra, in general , much believe , and here we come to the third, now rational value of the second quadra - the aspect of the &quot;ethics of emotions&quot; with a plus sign (Programmatic aspect of Hamlet's ethical-intuitive extravert) .As we remember, in the first quadra this aspect had a minus sign, which is expressed in the desire to prevent negative experiences. In the second quadra &quot;life has become better, life has become more fun.&quot; Therefore, this aspect stepped over into the second quadra with a plus sign and brought here a charge of vivacity, enthusiasm, festivity, inspiration, emotional upsurge, i.e. all those colors that smooth out the gloomy tension caused by the situation of constant extremeness, internal confrontation and civil strife within the framework of the second square.Has it really become better and more fun to live in the second quadra? And by the way, where did all the progressive social gains of the first quadra go? Where are all these great ideas, the search for truth and justice? Where is social equality and brotherhood? Where is the destruction of the old, obsolete foundations here, if new hierarchies are being built &quot;for all times&quot;?With the destruction in the second quadra, everything is going very well. The main destroyer here is Hamlet - an extrovert - the ideologist of the second quadra (the successor of the ideologist of the first quadra, Don Quixote). Hamlet, on the one hand, stands up for destruction, on the other hand, he fights against ruin. This is a very active sociotype. The great ideas of the first quadra grow into the &quot;great ideologies&quot; of the second.The search for truth is also not conducted here, since the truth has already been found and presented in an undeniable, dogmatic version. &quot;Freedom of speech&quot; in the second quadra is an empty phrase. Its representatives are always afraid to blurt out something superfluous, so they usually control their statements. And only when they feel complete power over the interlocutor (full control over the situation), only then they allow themselves to say whatever they want.Without exception, all representatives of the second quadra are very afraid of responsibility for their words and deeds, which is not surprising, since the search for the guilty is given great importance here. The search for someone to blame is a panacea for all ills. Through this here both evil is punished and good triumphs. And as a result, it is the representatives of the second quadra (especially the &quot;ethical intuitives&quot;) who tend to impose a complex of guilt on others, or even transfer their guilt onto someone else's head. &quot;Logics - sensors&quot; of the second quadra are distinguished by a somewhat exaggerated sense of personal responsibility; moreover, so overpriced that they themselves get tired of it (with all the ensuing consequences: connivance, mismanagement, sloppiness, etc.As for social equality and justice, here we have come close to the fourth dominant value of the second quadra - the aspect of the &quot;logic of relations&quot; with a plus sign (the program aspect of Maxim's logical-intuitive introvert).The aspect of the &quot;logic of relations&quot; moved from the first quadra to the second, also changing the minus sign to a plus. What in the first quadra is still only looming as an abstract project of a harmonious society of prosperity and absolute justice (-BL), in the second quadra is realized as a petty, narrowly departmental, &quot;bureaucratic&quot; logic, &quot;instructive&quot; and &quot;directive&quot;. Creating a rough model of an &quot;ideal state&quot;, &quot;indestructible&quot; for all time(again, the intuition of time with a minus sign - after all, something eternal is being built here, worked out &quot;for centuries&quot; - something that is destined to see the &quot;dawns of new generations&quot;). It is this aspect that forms the social structure of the second quadra as a closed, centralized, hierarchical system, which, as a rule, develops into a totalitarian system. Moreover, exceptions are unlikely here, totalitarianism is the result of the development of internal processes occurring within the second quadra, such as: the organization of power structures and the struggle for power (-ES), the creation of hierarchies and the alignment of forces at its levels (+BL), the formation of public opinion and the use of mass enthusiasm (+CE) in order to achieve power, the idea of \u200b\u200ba &quot;bright future&quot; (-BI) that protects the existing government.The values of the second quadra also determine its social role - the introduction of new structures and new orders in the face of environmental resistance.But what about repressed values? What has no place in the second quadra?In the second quadra there is no place for &quot;individualism&quot; and &quot;dissent&quot;: it is no coincidence that therefore &quot;black&quot; intuition - &quot;intuition of possibilities&quot; - turned out to be &quot;overboard&quot; here. The originality of thinking is frightening and alarming - it is not honored here, because it interferes with the implementation of specific political ideas, and this is, after all, the social mission of the second quadra. For the same reason, freedom of opinion is unacceptable. Looseness, extravagance of behavior here is considered at least a violation of public order. Easy success, luck, luck are illusory, illusory values that are by no means encouraged here, and even condemned in every possible way and deeply.&quot;White ethics&quot; - &quot;ethics of relations&quot; turned out to be superfluous. Pity, mercy, love for one's neighbor are perceived in the second quadra as a manifestation of weakness and unscrupulousness. Humanity here is an abstract phrase, at best expressing the care of the state about a person. Morality and morality are outdated, &quot;priestly&quot; concepts. The &quot;ethics of relations&quot; is not only replaced by the &quot;ethics of emotions&quot; - patriotism and ideology, but is also constantly compared with them: &quot;We love our homeland like a bride, we protect it like an affectionate mother ...&quot; Which, however, is not surprising, since with such a development of social relations and social consciousness, love for the motherland prevails over love for one's neighbor. In the second quadra there is no concept of &quot;ethical&quot; behavior, but there is a concept of &quot;rightness of action&quot;, as well as the concept of &quot;manifestations of consciousness&quot;. (A denunciation of one's neighbor, for example, is just such a &quot;manifestation&quot;.)What else turned out to be superfluous in the second quadra? - The aspect of &quot;business&quot;, operational logic turned out to be superfluous. Where the economy obeys ideology and is controlled by volitional methods, where high productivity is achieved by administrative pressure and inflated enthusiasm, it is not necessary to think about progressive technologies and an efficient economy. Private enterprise is viewed here as petty and vulgar &quot;self-interest&quot; - it's even indecent to talk about it.And there is one more &quot;indecent&quot;, one might even say &quot;disgusting&quot; aspect from the point of view of the second quadra - the aspect of &quot;sensorics of sensations&quot;. It is expressed in the contemptuous attitude of representatives of the second quadra to comfort, coziness and other &quot;petty&quot; and &quot;philistine&quot; joys,a fundamental rejection of &quot;petty-bourgeois&quot; pleasures and, as a counterbalance to this, an initial mood to constantly overcome life's hardships and hardships .Aesthetics in the second quadra is also subject to ideology and is exclusively propaganda in nature.Sex is an alien, petty-bourgeois concept. According to some representatives of the second quadra, it simply does not exist here. On the other hand, sexual perversions exist in abundance, and precisely as a consequence of the fact that the &quot;ethics of relations&quot; and &quot;sensors of sensations&quot; are repressed aspects here.And yet I would not like to finish the story about the second quadra in gloomy tones. As there are no &quot;bad&quot; and &quot;good&quot; sociotypes, so there are no &quot;bad&quot; and &quot;good&quot; quadras. (God save us from &quot;The destiny of the second quadra is bold social experiments and their testing on oneself. Sociotypes of this quadra act in history as active political figures, creators of powerful empires and states. Their stormy onslaught, will and energy are difficult to resist. All-destroying purposefulness, overcoming obstacles with strong-willed pressure is their social mission.They despise defense and prefer only to attack. They glorify the madness of the brave and the romance of struggle. They are distinguished by an active civic position. They despise pain and cultivate trials; exalt endurance and stamina. They maximize their feelings by expressing them in such extreme forms as devotion to the ideals of their political system and hatred of its enemies. Loyalty and devotion to the idea are elevated to a cult here and decorated with magnificent rituals.Until old age, they retain youthful enthusiasm, energy, vigor and youthfulness of the soul. (“Younger” than them are only representatives of the first quadra, who are able to preserve their childish spontaneity until old age.)The greatest contribution to the treasury of world culture was made by representatives of the second quadra. (And not only because &quot;in the field of ballet they are ahead of the rest&quot;...)Theater, dramaturgy, music, poetry are the widest and most fertile sphere for their creativity, and it is the intuitive ethics of the second quadra who manifest themselves here in the most brilliant way.So, where do most of the representatives of the second quadra live? (After all, we must look for our &quot;ideal partners&quot; somewhere!)Sociotypes Zhukov - Yesenin prevail in Russia, in Central and Central Asia - the type of Zhukov.Sociotypes Hamlet - Maxim in large numbers inhabit Germany, Russia, are very common in the Caucasus, prevail in the Arab countries.</blockquote>

[QUOTE="Deleted Member 44, post: 34574, member: 44"] [HEADING=2]Characteristic of the second quadra[/HEADING] The second quadra (as well as the fourth) is made up of [B]"logic-sensorics"[/B] and [B]"ethics-intuitives"[/B] . Dominant aspects in the second quadra: "black" sensorics, "white" intuition, "black" ethics, "white" logic. (“Black” ethics and “white” logic also dominate in the first quadra, and this “commonality” significantly brings representatives of the first and second quadras closer together.) Intuitive ethics are represented by a [B][I]rational extravert[/I][/B] - an ethical-intuitive extravert (Hamlet) and an [B][I]irrational[/I][/B] ethical introvert (Sergey Yesenin). [B][I]irrational extravert[/I][/B] - sensory-logical extravert (Zhukov). [URL='http://3.bp.blogspot.com/_HxWgNarSVOU/R_LeeGlKYVI/AAAAAAAAAEU/HZkr8qFUsCE/s1600-h/Kvadra2.gif'][LEFT][IMG align="left"]http://3.bp.blogspot.com/_HxWgNarSVOU/R_LeeGlKYVI/AAAAAAAAAEU/HZkr8qFUsCE/s200/Kvadra2.gif[/IMG][/LEFT][/URL]Maxim completes Hamlet and forms a[B][I] rational[/I][/B] dual pair with him. Zhukov complements Yesenin and makes an[B][I] irrational[/I][/B] dual pair with him. What is this combination of aspects? What values characterize the second quadra? As the reader has probably already noticed, some of the dominant aspects have moved from the first quadra to the second. Does this mean that at the same time the values corresponding to them moved into the second quadra? The nature of quadra values and the nature of the aspects corresponding to them are already somewhat different here. And it's not just that the dominant aspects here, having moved from the first quadra, changed their signs (pluses - minuses) to the opposite ones. The reason is that the first quadra aspects in the second quadra acquired a different meaning, filled with a different meaning, a different content. Combining with aspects that in the first quadra were displaced by "black" sensory and "white" intuition, they modified their character in such a way as to coexist harmoniously and without conflict with these aspects. In this regard, we can say that if the first and third quadras are two opposite poles, then the second and fourth quadras are the links connecting them, which themselves are at opposite poles relative to each other. Thus, one can trace the relationship between quadras, the succession of one quadra to another, and the completion of a quadra cycle, which is always characterized by a qualitative social leap - the transition of the fourth quadra to the first at a higher social level. So, how do the aspects of the first quadra change during the transition to the second? [B]How and why[/B] is this happening? - [I]Wait, wait! the Reader will say. - Aren't we distracted from our main task? We were still going to look for a partner, but instead we again wandered into some kind of theoretical jungle? ...[/I] Don't worry, Reader. It is these "theoretical jungles" that will help us figure out why a person who, it would seem, is so good and has so much in common with us, still somehow fundamentally does not suit us and has some significant difference, sometimes turning into an irreconcilable contradiction with us. It is this difference, turning into a contradiction, that we are now investigating. In order to understand how and why the rational aspects changed in the second quadra, which passed into it from the first, we will begin the analysis of the values of the second quadra from irrational aspects, namely from the aspect of [B]"volitional sensory" with a minus sign (-ES) - the program aspect of the extrovert-realizer the second quadra - sensory-logical extrovert[/B], Marshal Zhukov. The minus sign, as we already know, indicates the negative direction of this aspect. In this case, this is expressed in the desire [B]to prevent weakness, and as a result of this, in the desire to increase one's power potential[/B] . It is also expressed [B]in contempt for weakness[/B] , in the ability to show perseverance in the fight against hardships and with an enemy superior in strength, [B]in the ability to resist greater strength [I]and thereby win one's right to respect and authority. In the second quadra, it is a shame to be weak (!) The weak[/I][/B] are humiliated because they are pathetic. Through humiliation, he is given to understand that in [B]this[/B] social community there is no place for the weak. [B]The second quadra is a community of chosen, strong people.[/B]The idea of "chosenness" and a kind of "exclusivity" on formal grounds - origin, race, diplomas, diplomas, distinctions (personal merits "to the people", "party", "fuhrer", etc., etc. ) - always accompanies the second quadra and indicates that its representatives are not simple people and are essentially undemocratic. It is no coincidence that this quadra is called the "quadra of aristocrats". Prestige and personal authority are important for any of its representatives. [B][I]Respect for rank, respect for seniority - here are unconditional and unconditional concepts.[/I][/B] The direction of the aspect of "volitional sensory" in the direction of [B]minimizing weakness[/B] (reducing weakness to a minimum) also gives the corresponding "wrong side" - the corresponding ". The fear of admitting one's own weakness is exactly what [B]any of the representatives of the second quadra is afraid of, regardless of sociotype. Fear of being the one who is humiliated[/B] , "trampled", "used", "who is being held for a fraer", who is pushed around and who is "carried with water". Such a development of the "volitional sensory" aspect informs the second quadra of a constant state of tension, a state of constant extremeness of the situation. In the second quadra one does not relax - in the sense that relaxation here is an unnatural form of existence. Even the most seemingly relaxed representative of the second quadra Yesenin creates only the appearance of relaxation: relaxing others, he does not relax himself - he always feels danger and will do everything to take it away from himself. He perfectly knows how to lull someone else's vigilance, but he will not allow anyone to "lull" himself. Therefore, under any dictatorship, no matter how cruel it may be, a representative of this personality type will definitely find a cozy and safe niche for himself, since he, as well as other sociotypes of the second quadra, is endowed with all the necessary qualities and means in order not only to survive under the conditions of a totalitarian regime, but also feel good at the same time, and even be able to realize oneself creatively in it. In the second quadra, you cannot be a simpleton, you cannot yawn - you gape, you will be "gobbled up." Here it is necessary to "keep your eyes open". Here there is a constant struggle for survival, a constant selection of the strongest and the most chosen - otherwise, what makes up the hierarchy of the social structure inherent in the second quadra? It is enough for several of its representatives to gather in one collective for them to immediately organize a kind of hierarchical grouping, formal or informal - it does not matter. The main thing is that the alignment of forces in this hierarchy will be carried out in accordance with the attitudes and values of the second quadra. The need to "be on the alert" all the time, in turn, is reflected in the nature of the second irrational aspect - [B]intuition .[/B]. In the second quadra it is "white intuition" - "intuition of time" with a minus sign (-BI). (This aspect is programmatic in Zhukov's dual, Sergei Yesenin 's [B]intuitive-ethical introvert .) What character does it take on here?[/B] Representatives of the second quadra are better than anyone else aware of the "importance of the current moment." Moreover, they are concerned [B]not[/B] to miss out on any benefits or advantages associated with this moment. Do not allow yourself to be "sit out", do not allow yourself to be "outplayed", do not allow yourself to be "circled around your finger" - hence the readiness for impending danger, and the desire [B]not to[/B]allow, prevent, divert from oneself, and, if necessary, transfer to someone else's head. (Hence, the accompanying intrigues, deceit, gossip, slander and slander - all this is permissible where there is a constant confrontation of interests, socio-political "selection" and the struggle for survival at any cost.) The [B]ability to quietly sit out troubled times[/B] and patiently wait them out, remembering the "good past" and dreaming "of a bright future." This is also the desire [B]to prevent[/B] mistakes or miscalculations made by someone, which could [B]at some point be fatal[/B] (-BI). In the second quadra, they believe in fate, they believe in a higher destiny. (These concepts in no way contradict the idea of supreme chosenness, on the contrary, they complement it and accompany it ("We were born to make a fairy tale come true ..."), give it even greater enthusiasm and inspiration. In the second quadra, in general [B], much believe[/B] , and here we come to the third, now [B]rational value of the second quadra - the aspect of the "ethics of emotions" with a plus sign (Programmatic aspect of Hamlet's ethical-intuitive extravert)[/B] . As we remember, in the first quadra this aspect had a minus sign, which is expressed in the desire to prevent negative experiences. In the second quadra "life has become better, life has become more fun." Therefore, this aspect stepped over into the second quadra with a plus sign and brought here a charge of vivacity, enthusiasm, festivity, inspiration, emotional upsurge, i.e. all those colors that smooth out the gloomy tension caused by the situation of constant extremeness, internal confrontation and civil strife within the framework of the second square. Has it really become better and more fun to live in the second quadra? And by the way, where did all the progressive social gains of the first quadra go? Where are all these great ideas, the search for truth and justice? Where is social equality and brotherhood? Where is the destruction of the old, obsolete foundations here, if new hierarchies are being built "for all times"? With the destruction in the second quadra, everything is going very well. The main destroyer here is Hamlet - an extrovert - the ideologist of the second quadra (the successor of the ideologist of the first quadra, Don Quixote). Hamlet, on the one hand, stands up for destruction, on the other hand, he fights against ruin. This is a very active sociotype. [B]The great ideas of the first quadra grow into the "great ideologies" of the second.[/B]The search for truth is also not conducted here, since the truth has already been found and presented in an undeniable, dogmatic version. "Freedom of speech" in the second quadra is an empty phrase. Its representatives are always afraid to blurt out something superfluous, so they usually control their statements. And only when they feel complete power over the interlocutor (full control over the situation), only then they allow themselves to say whatever they want. Without exception, all representatives of the second quadra are very afraid of responsibility for their words and deeds, which is not surprising, since the search for the guilty is given great importance here. The search for someone to blame is a panacea for all ills. Through this here both evil is punished and good triumphs. And as a result, it is the representatives of the second quadra (especially the "ethical intuitives") who tend to impose a complex of guilt on others, or even transfer their guilt onto someone else's head. "Logics - sensors" of the second quadra are distinguished by a somewhat exaggerated sense of personal responsibility; moreover, so overpriced that they themselves get tired of it (with all the ensuing consequences: connivance, mismanagement, sloppiness, etc. As for social equality and justice, here we have come close to the fourth dominant value of the second quadra - [B]the aspect of the "logic of relations"[/B] with a plus sign (the program aspect of Maxim's logical-intuitive introvert). The aspect of the "logic of relations" moved from the first quadra to the second, also changing the minus sign to a plus. What in the first quadra is still only looming as an abstract project of a harmonious society of prosperity and absolute justice (-BL), in the second quadra is realized as a petty, narrowly departmental, "bureaucratic" logic, "instructive" and "directive". Creating a rough model of an "ideal state", "indestructible" [B]for all time[/B](again, the intuition of time with a minus sign - after all, something eternal is being built here, worked out "for centuries" - something that is destined to see the "dawns of new generations"). It is this aspect that forms the social structure of the second quadra as a closed, centralized, hierarchical system, which, as a rule, develops into a totalitarian system. Moreover, exceptions are unlikely here, [B]totalitarianism is the result of the development of internal processes occurring within the second quadra, [I]such as: the organization of power structures and the struggle for power (-ES), the creation of hierarchies and the alignment of forces at its levels (+BL), the formation of public opinion and the use of mass enthusiasm (+CE) in order to achieve power, the idea of \u200b\u200ba "bright future" (-BI) that protects the existing government.[/I] The values of the second quadra also determine its social role - [I]the introduction of new structures and new orders in the face of environmental resistance.[/I][/B] But what about repressed values? What has no place in the second quadra? In the second quadra there is no place for "individualism" and "dissent": it is no coincidence that therefore "black" intuition - "intuition of possibilities" - turned out to be "overboard" here. The originality of thinking is frightening and alarming - it is not honored here, because it [B]interferes with the implementation of specific political ideas[/B], and this is, after all, the social mission of the second quadra. For the same reason, freedom of opinion is unacceptable. Looseness, extravagance of behavior here is considered at least a violation of public order. Easy success, luck, luck are illusory, illusory values that are by no means encouraged here, and even condemned in every possible way and deeply. "White ethics" - "ethics of relations" turned out to be superfluous. Pity, mercy, love for one's neighbor are perceived in the second quadra as a manifestation of weakness and unscrupulousness. Humanity here is an abstract phrase, at best expressing the care of the state about a person. Morality and morality are outdated, "priestly" concepts. The "ethics of relations" is not only replaced by the "ethics of emotions" - patriotism and ideology, but is also constantly compared with them: "We love our homeland like a bride, we protect it like an affectionate mother ..." Which, however, is not surprising, since with such a development of social relations and social consciousness, love for the motherland prevails over love for one's neighbor. In the second quadra there is no concept of "ethical" behavior, but there is a concept of "rightness of action", as well as the concept of "manifestations of consciousness". (A denunciation of one's neighbor, for example, is just such a "manifestation".) What else turned out to be superfluous in the second quadra? - The aspect of "business", operational logic turned out to be superfluous. Where the economy obeys ideology and is controlled by volitional methods, where high productivity is achieved by administrative pressure and inflated enthusiasm, it is not necessary to think about progressive technologies and an efficient economy. Private enterprise is viewed here as petty and vulgar "self-interest" - it's even indecent to talk about it. And there is one more "indecent", one might even say "disgusting" aspect from the point of view of the second quadra - the aspect of "sensorics of sensations". It is expressed in the contemptuous attitude of representatives of the second quadra to comfort, coziness and other "petty" and "philistine" joys,[B]a fundamental rejection of "petty-bourgeois" pleasures[/B] and, as a counterbalance to this, an [B]initial mood to constantly overcome life's hardships and hardships[/B] . Aesthetics in the second quadra is also subject to ideology and is exclusively propaganda in nature. Sex is an alien, petty-bourgeois concept. According to some representatives of the second quadra, it simply does not exist here. On the other hand, sexual perversions exist in abundance, and precisely as a consequence of the fact that the "ethics of relations" and "sensors of sensations" are repressed aspects here. And yet I would not like to finish the story about the second quadra in gloomy tones. As there are no "bad" and "good" sociotypes, so there are no "bad" and "good" quadras. (God save us from " [B]The destiny of the second quadra is bold social experiments and their testing on oneself. [/B]Sociotypes of this quadra act in history as active political figures, creators of powerful empires and states. Their stormy onslaught, will and energy are difficult to resist. All-destroying purposefulness, overcoming obstacles with strong-willed pressure is their social mission. They despise defense and prefer only to attack. They glorify the madness of the brave and the romance of struggle. They are distinguished by an active civic position. They despise pain and cultivate trials; exalt endurance and stamina. They maximize their feelings by expressing them in such extreme forms as devotion to the ideals of their political system and hatred of its enemies. Loyalty and devotion to the idea are elevated to a cult here and decorated with magnificent rituals. Until old age, they retain youthful enthusiasm, energy, vigor and youthfulness of the soul. (“Younger” than them are only representatives of the first quadra, who are able to preserve their childish spontaneity until old age.) The greatest contribution to the treasury of world culture was made by representatives of the second quadra. (And not only because "in the field of ballet they are ahead of the rest"...) Theater, dramaturgy, music, poetry are the widest and most fertile sphere for their creativity, and it is the intuitive ethics of the second quadra who manifest themselves here in the most brilliant way. So, where do most of the representatives of the second quadra live? (After all, we must look for our "ideal partners" somewhere!) Sociotypes Zhukov - Yesenin prevail in Russia, in Central and Central Asia - the type of Zhukov. Sociotypes Hamlet - Maxim in large numbers inhabit Germany, Russia, are very common in the Caucasus, prevail in the Arab countries. [/QUOTE]

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