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<blockquote data-quote="Deleted Member 44" data-source="post: 34627" data-attributes="member: 44"><h2>Holographical-Panoramic Cognition</h2>In cognitive theory, the third cognitive form is the least studied: it is analytic, negative, and inductive. The provisional name of this style is Holographical-Panoramic. 'Holograph' originates from the Ancient Greek words holos &quot;entire, whole&quot; and grapho &quot;write&quot;. This name is derived from the Holographist's ability to densely pack information via method of 'like to, similar' analogy. Sociotypes possessing this form are SLE, LII, IEE, ESI.As Statics, Holographers attain reliable precision of thought. As Negativists they periodically turn the object of thought to its opposite side. As Involutionary types, they sporadically change the angle of examination or criterion of judgment.<h3>Intellectual Sphere</h3>This cognitive style has much in common with the holographic principle in physics. A hologram (optical) is a statistically recorded interference pattern made by two beams of light which are transmitted and reflected from a single source. Holographic technology allows us to obtain a three-dimensional image of an object. The hologram itself is an aggregation of stripes and spots exactly resembling the embedded object. The two beams of light are superimposed in such a way that every part of the hologram carries information about the whole.In this way, by mentally superimposing multiple projections of the same object, Holographists reach a holistic view. To do this, they look at the image and select a desired angle of examination. Holographic cognition often utilizes the grammatical conjunctives: &quot;or-or&quot;, &quot;either-or&quot;, &quot;on the one hand, on the other hand&quot;. It actively uses the principle of perspective; unrestricted choice in point of view. The holographic approach is a progressive approximation towards the purpose, or away from it, accompanied by changes of perspective. The holographic process is carried out as if calibrating focus.Holographic cognition has a characteristic penetrating, skeletal-revealing, 'x-ray' nature. It unhesitatingly cuts away details and nuances, giving a coarsely generalized representation of the subject. Take for example the two orthogonal cross-sections of a cylinder: the horizontal section looks like a circle, and the vertical section looks like a rectangle. Two different perspectives of an indivisible whole which, when superimposed in the mind, produces transition to a higher level of understanding about the object.SLE thinks this way in battle. Analyzing the situation, they simplify it to two or three facets (frontal, flank, and/or rear), but then quickly go to a higher tier of understanding. LII grasps the problem from opposite sides, mentally rotating the situation in three dimensions around its semantic axes. ESI first draws near to a person, then moves away, seeming to probe the individual from all sides, cutting off those who could let them down. IEE detects the possible hidden motivations of a person, as if building their psychological 'hologram'.The main advantages of Holographic cognition are as follows. First, it is multi-perspective. As already stated, because of this it attains a dimensionally holistic and complete depiction. Second, it values simplicity and clarity, avoids pretentiousness, and forgoes 'bells and whistles'. Holographists are particularly effective in crisis situations, when it is necessary to make decisions quickly, and there is no time to weigh all the details.The obvious disadvantage of this cognitive style is that it appears too rough, lacking adequate consideration to details which become important when a process flows smoothly. Its information-dense constructs are often difficult to decompress and unpack; to outsiders, they may seem void of intermediate links for establishing coherency in their connections.According to Aristotle, Holographic cognition corresponds to explanation by structural or formative causes. Aristotle called it the structure of form. Returning to the sculptor example, the cause of the sculpture is its latent form, which the sculptor merely sets free by cutting away excess marble.<h3>Social Sphere</h3>A vague idea of the holographic concept was expressed by Gottfried Leibniz's &quot;Monadology&quot;. His monad, a microcosmic reflection of the whole world order, is analogous to a hologram. Ecologists regularly turned to it in attempting to understand why there is stability in nature. Relationships between living and non-living nature arising in a given territory causes biogeocenosis, or ecosystem formation. Ecosystems are primarily characterized by equilibrium of self-similarity over time, where long-term coexistence of opposites without merging (synthesis) is observed. Therefore, Static prevails over Dynamic in such communities. Therein lies the fundamental law of homeostasis in the ecosystem.General systems theory was later formed on the basis of these ideas. It was founded by Austrian biologist Ludwig von Bertalanffy, who introduced the concept of open systems, which exchange matter, energy, and information with the environment, thus resisting destabilization.While Determinists attempt to explain the behavior of a system by its component parts and interconnections, Holographists find novel qualities illustrating emergent features in it that cannot be accounted for solely from its internal structure. Therefore, the Holographical paradigm can generally be called a systemic-ecological worldview.Contemporary 'green' ideology is an epitomization of this cognitive form. This does not in any way imply that the ideologues of this movement are Holographical types—cognitive styles and proclaimed viewpoints may not necessarily coincide! Manifestations of one cognitive style through another are completely typical. The books of &quot;quantum psychologist&quot; Robert Anton Wilson are a good example of this, in which his Dialectical-Algorithmic form is laden with multi-perspective, holographic content [5].<h3>Psychological Sphere</h3>Holographical cognition corresponds to a stable, self-possessed psyche resistant to conditioning. In comparing the conditionability of an LSI psyche to its Involutionary Mirror SLE, observation shows that the degree of psychological resistance is much higher in the latter. How is this explained? By the durable cognitive infrastructure on which it is built. Complete panorama, which allows periodic change of perspective on the subject. Good balance between the immune and nervous systems, as well as the primary sense organs.In neuro-linguistic programming, this principle is used in a technique called 'reframing'. Reframing changes the perceptual framework contextualizing an event. If we mentally place a familiar object into an unfamiliar context, then significance of the whole situation changes. For example, imagine a tiger first in a jungle, then in a zoo cage, then on the balcony of your apartment. The standard Socionics type is depicted as immersed in its 'club'. But what if you shift it to quadra? What if it turns out to be among types with opposite cognitive styles? The chain can continue indefinitely.With reframing it is possible to see the familiar with fresh eyes. The type of the psyche in one who resorts to this technique remains constant of course, only their subjective relation to the object of attention is changed. The benefit of this method is primarily in the fact that new perspectives emphasize aspects of a situation that may have been previously underestimated, allowing the possibility of discovering new avenues of growth, and expanding one's existing range of choices.<h3>Scientific Sphere</h3>A real-life physical model of this multi-perspective intellect is the hologram—a superimposition of multiple images where each one can only be seen when looking at a certain angle. Change of perspective occurs intermittently and does not alter the system itself, only its priorities. In this way, multiple standards can be implemented, making it possible to work with a complex system as if it were a simple sequence.Another real-life prototype of Holographical cognition are fractal objects, discovered by mathematician Benoit Mandelbrot in the 1970s. Geometrically, fractals are figures with diffuse outlines, possessing self-similar internal structures. For example, trees, snowflakes, coastlines, etc. They are characterized by multiple internal forms similar in principle to nesting-dolls. Like a hologram, any fragment of a fractal contains complete information about the entire fractal. The part is always structurally similar to the whole.Socionics types are also like fractal objects. Hence my holographic concept of personality as a nested system of types, one inside another [4]. Which opposes the prevailing flat view of Socionics advocated by people with reductionist thinking.<h2>Examples</h2>This is not a formal part of the article.This section contains examples of statements that have been collected over time from various sources and that possibly reflect and illustrate the workings of different cognitive styles.<h3>Holographical-Panoramic Cognition (HP)</h3>SLE, ESI, LII, IEE<ul>
<li data-xf-list-type="ul">&quot;Art is the elimination of the unnecessary&quot; - SLE</li>
<li data-xf-list-type="ul">&quot;Why the hell would I need to think about reasons? If I got them, I do stuff; if I don't, I might do stuff just the same. Oftentimes the conclusion would be the same either way, but I get there faster if I just chop out a large bulk, if not all, of the deliberation.&quot; - IEE</li>
<li data-xf-list-type="ul">&quot;When shit hits the fan, I stop all thinking and just do a bunch of stuff, and then everything turns out awesome. Seems I'm most comfortable when all hell is breaking loose.&quot; - IEE</li>
<li data-xf-list-type="ul">&quot;There are two aspects to any person: essence and behavior. Typology based on behavior improves with complexity: the more dichotomies you come up with, the more accurate it is. On the other side, typology based on essence strives for simplicity: it's about reducing personality to its minimal expression. There is no limit about how far you can go about complexity and this is why there are so many behavioral typological systems. But simplicity has a limit and that limit is probably Socionics.&quot; - IEE</li>
<li data-xf-list-type="ul">&quot;I never over analyze the things that people say or do - I feel like people's intentions are always very clear to me.&quot; - ESI</li>
<li data-xf-list-type="ul">&quot;I don't really focus on what they're doing or why. It's just not important to me. I'll meet someone for the first time and pay hardly any attention to what they're doing, tbh. Usually people say the wrong things or look awkward at first because they're nervous, shy, or just not open to me yet—I'm not going to analyze the things they say. It just isn't of much significance to me. However, I do tend to gather impressions of people when I first meet them, but it's by observing something else. I suppose you could call it a person's undertone? Like if you meet some girl who acts extroverted and bubbly, it's not hard for me to look past that and see one general face to her—a more solid, internal, static thing that serves as a core despite her outward expressions. I guess it's like spotting depression in someone even if they act like they're on top of the world. And yeah, if I do meet someone that looks like they're acting against who they are, it feels obvious to me. That sort of impression tends to last too, and I'll wonder if they'll ever start showing who [I think] they are. And even though I'm not going to really judge them for it, I still can't get over the sense of internal friction they give off, and I feel like I can't get close to people like that. I do trust my impressions, though. How I feel about them can and probably will change over time, but who I think they are pretty much stays the same.&quot; - ESI</li>
<li data-xf-list-type="ul">&quot;Lets say that you are in a room that has no walls, no floor, and no roof. This room is completely free of conventional rules except for those of your own choosing, rules such as gravity for example. In this room, the focus of your attention is an object that you are dissecting or even expanding upon. You don't have to come into direct contact with the object in order to move it in anyway. However, you choose to view the object will allow you to view in this way. You could choose to inverse the object in anyway shape or form to accurately/properly analyze it from your desired perspective.&quot; - LII</li>
<li data-xf-list-type="ul">&quot;My frame of perception is constantly shifting, or I'm layering one on top of the other.&quot; - LII</li>
<li data-xf-list-type="ul">&quot;Ne delves into possible realities. First, a schema appears before the mind's eye, then the facts are filled in depending on the context, but the facts are never given value. There is no seeking of facts for their own sake.&quot; - LII</li>
</ul>
<ul>
<li data-xf-list-type="ul">LII's explanation of HP thinking: &quot;It is above all stable. Where Positive/Process strives for impact, Negative/Result strives for control. It involves a kind of sluggish maneuverability where the person has the ability to quickly change course while at the same time not making a lot of movements. The best analogy for this is a kind of kung-fu fighter that stands still and only steps out of the way when the opponent throws a punch at him. The above goes for the EPs as much as it goes for the IJs. Negative/Result EP types (ESTp, ENFp) can look a little IJ'ish for this reason. Their level of volatility/abruptness is lower than that of ENTp and ESFp. ... Negative/Result/Static is about simply not acting. Positioning yourself strategically and waiting until the right moment to move arrives. This is not multitasking so much as it is simply being ready. ... Negative/Result is all about reaching that state of familiarity where a very relaxed kind of control is possible, but one needs to make a big effort to get there - slow to understand, but very relaxed control once familiar with the topic.&quot;</li>
<li data-xf-list-type="ul">&quot;I just started writing the script and kept writing, and it evolved and evolved. It’s like filling in a crossword puzzle. You know that word has got to be abracadabra, right? Because there’s no other word it can be until you get halfway through and you see that the word down the middle has a P in the middle of abracadabra and there is no P. So therefore, one of them has to be wrong. They can’t both be right. And the same thing is true about structuring a drama. You go along and say, &quot;I know this has got to happen at the end of the second act,&quot; until you realize you’ve spent two years, and it doesn’t work. So something’s wrong. Either the first and third acts are wrong or the second act is wrong. How am I going to fix it? The structure is the whole thing — getting the movie to eat up 15 lines on a sheet of paper so you can write it.&quot; - SLE (This quote illustrates the problem solving aspect of negativist H-P thinking. It is similar to the above quote by an LII - the SLE likewise sees his puzzle as a whole picture, then he simply proceeds to fill in the blanks and work out the particulars, since for Result/Involutionary types, the thinking flows <a href="http://wikisocion.net/en/index.php/On_Waves_of_Aging_and_Renewal:_Progress_Orientation_in_Combination_with_Jungian_Aspects#Intellectual_level" target="_blank">from general outlook to specifics</a>.)</li>
<li data-xf-list-type="ul">&quot;Well, you can’t help but make a distinct movie. If you give yourself up to the form, it’s going to be distinctively your own because the form’s going to tell you what’s needed. That’s one of the great things I find about working in drama is you’re always learning from the form. You’re always getting humbled by it. It’s exactly like analyzing a dream. You’re trying to analyze your dreams. You say, “I know what that means; I know exactly what that means; why am I still unsettled?” You say, “Let me look a little harder at this little thing over here. But that’s not important; that’s not important; that’s not important. The part where I kill the monster — that’s the important part, and I know that means my father this and that. But what about this little part over here about the bunny rabbit? Why is the bunny rabbit hopping across the thing? Oh, that’s not important.” Making up a drama is almost exactly analogous to analyzing your dreams&quot; - SLE (From main article: &quot;According to Aristotle, Holographic cognition corresponds to explanation by structural or formative causes. Aristotle called it the structure of form. Returning to the sculptor example, the cause of the sculpture is its latent form, which the sculptor merely sets free by cutting away excess marble.&quot;)</li>
</ul></blockquote>

[QUOTE="Deleted Member 44, post: 34627, member: 44"] [HEADING=1][B]Holographical-Panoramic Cognition[/B][/HEADING] [B]In cognitive theory, the third cognitive form is the least studied: it is analytic, negative, and inductive. The provisional name of this style is Holographical-Panoramic. 'Holograph' originates from the Ancient Greek words holos "entire, whole" and grapho "write". This name is derived from the Holographist's ability to densely pack information via method of 'like to, similar' analogy. Sociotypes possessing this form are [I]SLE[/I], [I]LII[/I], [I]IEE[/I], [I]ESI[/I]. As Statics, Holographers attain reliable precision of thought. As Negativists they periodically turn the object of thought to its opposite side. As Involutionary types, they sporadically change the angle of examination or criterion of judgment. [HEADING=2]Intellectual Sphere[/HEADING] This cognitive style has much in common with the holographic principle in physics. A hologram (optical) is a statistically recorded interference pattern made by two beams of light which are transmitted and reflected from a single source. Holographic technology allows us to obtain a three-dimensional image of an object. The hologram itself is an aggregation of stripes and spots exactly resembling the embedded object. The two beams of light are superimposed in such a way that every part of the hologram carries information about the whole. In this way, by mentally superimposing multiple projections of the same object, Holographists reach a holistic view. To do this, they look at the image and select a desired angle of examination. Holographic cognition often utilizes the grammatical conjunctives: "or-or", "either-or", "on the one hand, on the other hand". It actively uses the principle of perspective; unrestricted choice in point of view. The holographic approach is a progressive approximation towards the purpose, or away from it, accompanied by changes of perspective. The holographic process is carried out as if calibrating focus. Holographic cognition has a characteristic penetrating, skeletal-revealing, 'x-ray' nature. It unhesitatingly cuts away details and nuances, giving a coarsely generalized representation of the subject. Take for example the two orthogonal cross-sections of a cylinder: the horizontal section looks like a circle, and the vertical section looks like a rectangle. Two different perspectives of an indivisible whole which, when superimposed in the mind, produces transition to a higher level of understanding about the object. [I]SLE[/I] thinks this way in battle. Analyzing the situation, they simplify it to two or three facets (frontal, flank, and/or rear), but then quickly go to a higher tier of understanding. [I]LII[/I] grasps the problem from opposite sides, mentally rotating the situation in three dimensions around its semantic axes. [I]ESI[/I] first draws near to a person, then moves away, seeming to probe the individual from all sides, cutting off those who could let them down. [I]IEE[/I] detects the possible hidden motivations of a person, as if building their psychological 'hologram'. The main advantages of Holographic cognition are as follows. First, it is multi-perspective. As already stated, because of this it attains a dimensionally holistic and complete depiction. Second, it values simplicity and clarity, avoids pretentiousness, and forgoes 'bells and whistles'. Holographists are particularly effective in crisis situations, when it is necessary to make decisions quickly, and there is no time to weigh all the details. The obvious disadvantage of this cognitive style is that it appears too rough, lacking adequate consideration to details which become important when a process flows smoothly. Its information-dense constructs are often difficult to decompress and unpack; to outsiders, they may seem void of intermediate links for establishing coherency in their connections. According to Aristotle, Holographic cognition corresponds to explanation by structural or formative causes. Aristotle called it the structure of form. Returning to the sculptor example, the cause of the sculpture is its latent form, which the sculptor merely sets free by cutting away excess marble. [B][HEADING=2]Social Sphere[/HEADING] A vague idea of the holographic concept was expressed by Gottfried Leibniz's "Monadology". His monad, a microcosmic reflection of the whole world order, is analogous to a hologram. Ecologists regularly turned to it in attempting to understand why there is stability in nature. Relationships between living and non-living nature arising in a given territory causes biogeocenosis, or ecosystem formation. Ecosystems are primarily characterized by equilibrium of self-similarity over time, where long-term coexistence of opposites without merging (synthesis) is observed. Therefore, Static prevails over Dynamic in such communities. Therein lies the fundamental law of homeostasis in the ecosystem. General systems theory was later formed on the basis of these ideas. It was founded by Austrian biologist Ludwig von Bertalanffy, who introduced the concept of open systems, which exchange matter, energy, and information with the environment, thus resisting destabilization. While Determinists attempt to explain the behavior of a system by its component parts and interconnections, Holographists find novel qualities illustrating emergent features in it that cannot be accounted for solely from its internal structure. Therefore, the Holographical paradigm can generally be called a systemic-ecological worldview. Contemporary 'green' ideology is an epitomization of this cognitive form. This does not in any way imply that the ideologues of this movement are Holographical types—cognitive styles and proclaimed viewpoints may not necessarily coincide! Manifestations of one cognitive style through another are completely typical. The books of "quantum psychologist" Robert Anton Wilson are a good example of this, in which his Dialectical-Algorithmic form is laden with multi-perspective, holographic content [5]. [HEADING=2]Psychological Sphere[/HEADING] Holographical cognition corresponds to a stable, self-possessed psyche resistant to conditioning. In comparing the conditionability of an [I]LSI[/I] psyche to its Involutionary Mirror [I]SLE[/I], observation shows that the degree of psychological resistance is much higher in the latter. How is this explained? By the durable cognitive infrastructure on which it is built. Complete panorama, which allows periodic change of perspective on the subject. Good balance between the immune and nervous systems, as well as the primary sense organs. In neuro-linguistic programming, this principle is used in a technique called 'reframing'. Reframing changes the perceptual framework contextualizing an event. If we mentally place a familiar object into an unfamiliar context, then significance of the whole situation changes. For example, imagine a tiger first in a jungle, then in a zoo cage, then on the balcony of your apartment. The standard Socionics type is depicted as immersed in its 'club'. But what if you shift it to quadra? What if it turns out to be among types with opposite cognitive styles? The chain can continue indefinitely. With reframing it is possible to see the familiar with fresh eyes. The type of the psyche in one who resorts to this technique remains constant of course, only their subjective relation to the object of attention is changed. The benefit of this method is primarily in the fact that new perspectives emphasize aspects of a situation that may have been previously underestimated, allowing the possibility of discovering new avenues of growth, and expanding one's existing range of choices. [HEADING=2]Scientific Sphere[/HEADING] A real-life physical model of this multi-perspective intellect is the hologram—a superimposition of multiple images where each one can only be seen when looking at a certain angle. Change of perspective occurs intermittently and does not alter the system itself, only its priorities. In this way, multiple standards can be implemented, making it possible to work with a complex system as if it were a simple sequence. Another real-life prototype of Holographical cognition are fractal objects, discovered by mathematician Benoit Mandelbrot in the 1970s. Geometrically, fractals are figures with diffuse outlines, possessing self-similar internal structures. For example, trees, snowflakes, coastlines, etc. They are characterized by multiple internal forms similar in principle to nesting-dolls. Like a hologram, any fragment of a fractal contains complete information about the entire fractal. The part is always structurally similar to the whole. Socionics types are also like fractal objects. Hence my holographic concept of personality as a nested system of types, one inside another [4]. Which opposes the prevailing flat view of Socionics advocated by people with reductionist thinking. [B][HEADING=1]Examples[/HEADING] This is not a formal part of the article. This section contains examples of statements that have been collected over time from various sources and that possibly reflect and illustrate the workings of different cognitive styles. [B][HEADING=2]Holographical-Panoramic Cognition (HP)[/HEADING] SLE, ESI, LII, IEE [LIST] [*]"Art is the elimination of the unnecessary" - SLE [*]"Why the hell would I need to think about reasons? If I got them, I do stuff; if I don't, I might do stuff just the same. Oftentimes the conclusion would be the same either way, but I get there faster if I just chop out a large bulk, if not all, of the deliberation." - IEE [*]"When shit hits the fan, I stop all thinking and just do a bunch of stuff, and then everything turns out awesome. Seems I'm most comfortable when all hell is breaking loose." - IEE [*]"There are two aspects to any person: essence and behavior. Typology based on behavior improves with complexity: the more dichotomies you come up with, the more accurate it is. On the other side, typology based on essence strives for simplicity: it's about reducing personality to its minimal expression. There is no limit about how far you can go about complexity and this is why there are so many behavioral typological systems. But simplicity has a limit and that limit is probably Socionics." - IEE [*]"I never over analyze the things that people say or do - I feel like people's intentions are always very clear to me." - ESI [*]"I don't really focus on what they're doing or why. It's just not important to me. I'll meet someone for the first time and pay hardly any attention to what they're doing, tbh. Usually people say the wrong things or look awkward at first because they're nervous, shy, or just not open to me yet—I'm not going to analyze the things they say. It just isn't of much significance to me. However, I do tend to gather impressions of people when I first meet them, but it's by observing something else. [B]I suppose you could call it a person's undertone? Like if you meet some girl who acts extroverted and bubbly, it's not hard for me to look past that and see one general face to her—a more solid, internal, static thing that serves as a core despite her outward expressions.[/B] I guess it's like spotting depression in someone even if they act like they're on top of the world. And yeah, if I do meet someone that looks like they're acting against who they are, it feels obvious to me. That sort of impression tends to last too, and I'll wonder if they'll ever start showing who [I think] they are. And even though I'm not going to really judge them for it, I still can't get over the sense of internal friction they give off, and I feel like I can't get close to people like that. I do trust my impressions, though. How I feel about them can and probably will change over time, but who I think they are pretty much stays the same." - ESI [*]"Lets say that you are in a room that has no walls, no floor, and no roof. This room is completely free of conventional rules except for those of your own choosing, rules such as gravity for example. In this room, the focus of your attention is an object that you are dissecting or even expanding upon. You don't have to come into direct contact with the object in order to move it in anyway. However, you choose to view the object will allow you to view in this way. You could choose to inverse the object in anyway shape or form to accurately/properly analyze it from your desired perspective." - LII [*]"My frame of perception is constantly shifting, or I'm layering one on top of the other." - LII [*]"Ne delves into possible realities. First, a schema appears before the mind's eye, then the facts are filled in depending on the context, but the facts are never given value. There is no seeking of facts for their own sake." - LII [/LIST] [LIST] [*]LII's explanation of HP thinking: "It is above all stable. Where Positive/Process strives for impact, Negative/Result strives for control. It involves a kind of sluggish maneuverability where the person has the ability to quickly change course while at the same time not making a lot of movements. The best analogy for this is a kind of kung-fu fighter that stands still and only steps out of the way when the opponent throws a punch at him. The above goes for the EPs as much as it goes for the IJs. Negative/Result EP types (ESTp, ENFp) can look a little IJ'ish for this reason. Their level of volatility/abruptness is lower than that of ENTp and ESFp. ... Negative/Result/Static is about simply not acting. Positioning yourself strategically and waiting until the right moment to move arrives. This is not multitasking so much as it is simply being ready. ... Negative/Result is all about reaching that state of familiarity where a very relaxed kind of control is possible, but one needs to make a big effort to get there - slow to understand, but very relaxed control once familiar with the topic." [*]"I just started writing the script and kept writing, and it evolved and evolved. It’s like filling in a crossword puzzle. You know that word has got to be abracadabra, right? Because there’s no other word it can be until you get halfway through and you see that the word down the middle has a P in the middle of abracadabra and there is no P. So therefore, one of them has to be wrong. They can’t both be right. And the same thing is true about structuring a drama. You go along and say, "I know this has got to happen at the end of the second act," until you realize you’ve spent two years, and it doesn’t work. So something’s wrong. Either the first and third acts are wrong or the second act is wrong. How am I going to fix it? The structure is the whole thing — getting the movie to eat up 15 lines on a sheet of paper so you can write it." - SLE (This quote illustrates the problem solving aspect of negativist H-P thinking. It is similar to the above quote by an LII - the SLE likewise sees his puzzle as a whole picture, then he simply proceeds to fill in the blanks and work out the particulars, since for Result/Involutionary types, the thinking flows [URL='http://wikisocion.net/en/index.php/On_Waves_of_Aging_and_Renewal:_Progress_Orientation_in_Combination_with_Jungian_Aspects#Intellectual_level']from general outlook to specifics[/URL].) [*]"Well, you can’t help but make a distinct movie. If you give yourself up to the form, it’s going to be distinctively your own because the form’s going to tell you what’s needed. That’s one of the great things I find about working in drama is you’re always learning from the form. You’re always getting humbled by it. It’s exactly like analyzing a dream. You’re trying to analyze your dreams. You say, “I know what that means; I know exactly what that means; why am I still unsettled?” You say, “Let me look a little harder at this little thing over here. But that’s not important; that’s not important; that’s not important. The part where I kill the monster — that’s the important part, and I know that means my father this and that. But what about this little part over here about the bunny rabbit? Why is the bunny rabbit hopping across the thing? Oh, that’s not important.” Making up a drama is almost exactly analogous to analyzing your dreams" - SLE (From main article: "According to Aristotle, Holographic cognition corresponds to explanation by structural or formative causes. Aristotle called it the structure of form. Returning to the sculptor example, the cause of the sculpture is its latent form, which the sculptor merely sets free by cutting away excess marble.") [/LIST][/B][/B][/B][/B] [/QUOTE]

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